Bibliographies

 

REFERENCE WORKS

Reference work

  • BÉGUIN, Albert. Dictionnaire technique de l’estampe. 3 vols. Bruxelles: Béguin, 1976-77.
  • BENEZIT, Emmanuel. Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs de tous les temps et de tous les pays. 10 vols. Paris: Gründ, 1976.

BIBLIOTHEQUE NATIONALE DE FRANCE. Le Livre. Paris, 1972.

BILLOUX, René, ed. Encyclopédie chronologique des arts graphiques. Paris: René Billoux, 1943.

GOLDMAN, Paul. Looking at Prints, Drawings and Watercolours. A Guide to Technical Terms. 1988. London: British Museum P, 1994.

50cc6aebb23b181ee3b4123d9cc9acf5-dictionary_20th_century_book_illustrators-165x217.jpgHORNE, Alan Horne. The Dictionary of 20th Century British Book Illustrators. London:Antique Collectors Club, 2010.

19th c illus HOUFE, Simon. The Dictionary of British Book Illustrators and Caricaturists, 1800-1914, With Introductory Chapters on the Rise and Progress of the Art. Woodbridge, Eng.: Antique Collectors’ Club, 1981.

— . The Dictionary of Nineteenth Century Book Illustrators. 1978. Woodbridge, Eng.: Antique Collectors’ Club, 1996.

HUNNISETT, Basil. A Dictionary of British Steel Engravers. Leigh-on-Sea: F. Lewis, 1980.

— . An Illustrated Dictionary of British Steel Engravers. Aldershot: Scolar P, 1989.

JAMES, Philip, intro. Catalogue of English Book Illustration since 1800. London: C.E.M.A., 1943.

KEMP, Martin, ed. The Oxford History of Western Art. Oxford: Oxford UP, 2000.

LEWINE, J. Bibliography of Eighteenth Century Art and Illustrated Books. London: S. Low, Marston, 1898.

OSTERWALDER, Marcus, et al. Dictionnaire des illustrateurs 1800-1914 (Illustrateurs, caricaturistes et affichistes). Vol. 1. Gérard Pussey, Marie Leroy-Crèvecœur and Boris Moissard, dirs. Neuchâtel (Suisse): Ides et Calendes, 2000. Paris: Hubschmid and Bouret, 1983.

TURNER, Jane, ed. The Dictionary of Art. 34 vols. Vol. 33. Grove: Macmillan, 1996.

BOOKS

 

ACKLEY, Clifford S. Printmaking in the Age of Rembrandt. Boston: Museum of Fine Arts, 1981.

ADHÉMAR, Jean. La Gravure originale au XIIIe siècle. Paris: Aimery Somogy, 1963.

— . Graphic Arts of the 18th Century. Trans. M. I. Martin. London: Thames, 1964.

ALTICK, R. D. Paintings for Books: Art and Literature in Britain. Columbus, OH: Ohio State UP, 1985.

AMSTUTZ, Walter, ed. Who’s Who in Graphic Art: An Illustrated Book of Reference to the World’s Leading Designers, Illustrators, Typographers and Cartoonists.Zurich: Amstutz and Herdeg Graphic P, 1962.

ANDERSON, Patricia J. The Printed Image and the Transformation of Popular Culture, 1790-1860. Oxford: Clarendon Press, 1991.

BADARACCO, Claire. Trading Words: Poetry, Typography, and Illustrated Books in the Modern Literary Economy. Baltimore: John Hopkins UP, 1995.

BATES, Walter J. From Classic to Romantic: Premises of Taste in Eighteenth Century England. Cambridge, MA: Harvard UP, 1946.

BEARE, Geoffrey, ed. IBIS Journal Four: Phantasies and Dreams. Guildford: The Imaginative Book Society, 2011.

BENESCH, Otto. Artistic and Intellectual Trends from Rubens to Daumier As Shown in Book Illustration. Cambridge, MA: Harvard College Library, Department of Printing and Graphic Arts, 1943.

BERSIER, Jean-Eugène. La Gravure: les procédés, l’histoire. 1963. 4th ed. Paris: Berger-Levrault, 1998.

BLAND, David. A Bibliography of Book Illustration. Cambridge: Cambridge UP, 1955. / London: The National Book League by the Cambridge UP, 1955.

— . A History of Book Illustration: The Illuminated Manuscript and the Printed Book. 1958. London: Faber and Faber, 1969. Berkeley: U. of California Press, 1974.

— . The Illustration of Books. 1951. 3rd ed. London: Faber and Faber, [1962].

BLUM, André. La Gravure en Angleterre au XVIIIe siècle. Paris: G. van Oest, 1930.

BLUMENTHAL, Joseph. The Art of the Printed Book 1455-1955. New York: Pierpont Morgan Library, 1973.

BOLOGNA, Giulia. Merveilles et splendeurs des livres du temps jadis.1988. Paris: Solar, 1990.

BRAKE, Laurel. The Lure of Illustration in the Nineteenth Century: Picture and Press. Basingstoke: Palgrave Macmillan, 2009.

BRENNI, Vito Joseph, dir. Book Illustration and Decoration: A Guide to Research. Westport, CT [etc.]: Greenwood P cop., 1980.

BREWER, Frances J[oan], ed. Book Illustration. Papers presented at the Third Rare Book Conference of the American Library Association in 1962. Berlin: Gebr. Mann Verlag, 1963.

BURKE, Joseph. English Art: 1714-1800. Oxford History of English Art. Vol. 9. Oxford: Clarendon P, 1976.

CARACCIOLO, Maria Teresa and Ségolène LE MEN, dirs. L’Illustration: Essais d’iconographie. Actes du séminaire du C.N.R.S. (G. D. R. 712), Paris 1993-1994. Paris: Klincksieck, 1999.

CHAPPELL, Warren. A Short History of the Printed Book. New York: Alfred A. Knopf, 1970.

CLAYTON, Timothy. The English Print 1688-1802. New Haven: Yale UP, 1998.

COHEN, Ralph, ed. Studies in Eighteenth Century British Art and Aesthetics. Berkeley: U of California P, 1985.

COLVIN, Sidney and Arthur M. HIND. Early Engraving and Engravers in England, 1545-1695: A Critical and Historical Essay. London: Printed by the Order of the Trustees, 1905.

CRANE, Walter. Of the Decorative Illustration of Books Old and New. London: G. Bell and Sons, 1896.

EDE, Charles, ed. The Art of the Book. London: The Studio P, 1951.

EDWARDS, Paul. Soleil noir. Photographie et littérature, des origines au surréalisme. Rennes : Presses Universitaires de Rennes, 2008.

ELLIS, Richard Williamson. Book Illustration: A Survey of its History and Development Shown by the Work of Various Artists, Together with Critical Comments. Kingsport, TN: Kingsport P, 1952.

EVANS, Hilary and Mary EVANS. Sources of Illustration, 1500-1900. Bath: Adams and Dart, 1971.

FELMINGHAM, Michael. The Illustrated Gift Book, 1880-1930: with a checklist of 2500 titles. Aldershot [Hants, England]: Scolar Press, 1988.

FREDEMAN, William E. Pre-Raphaelitism: A Bibliocritical Study. Cambridge, Mass.: Harvard University Press, 1965.

GAMBLE, Charles William. Modern Illustration Processes: An Introductory Textbook for all Students of Printing Methods. 3rd ed. London: Pitman [1950].

GARRETT, Albert. A History of British Wood Engraving. n.p.: Midas Books, 1978.

GEISBERG, Max. Woodcuts from Books of the 16th Century. Olten : Weiss-Hess Antiquer, 1937.

GILMONT, Jean-François. Le Livre, du manuscrit à l’ère électronique. Notes de bibliologie. 3rd ed. rev. and augm. Collection ‘Bibliothèque du Bibliothécaire 1’. Liège: Céfal, 1998.

GLAISTER, Geoffrey. An Encyclopedia of the Book. Cleveland: World Publishing Co., 1960.

GODFREY, Richard T. Printmaking in Britain: A General History from its Beginning to the Present Day. New York: New York UP, 1978.

GOLDMAN, Paul. Victorian Illustrated Books 1850-1870, The Heyday of Wood Engraving. The British Museum, 1994.

— . Victorian Illustration: The Pre-Raphaelites, the Idyllic School, and the High Victorians. Aldershot, England: Scholar P; Brookfield, VT: Ashgate Pub. Co., c1996.

GOLDMAN, Paul and Simon COOKE, eds. Reading Victorian Illustration, 1855-1875: Spoils of the Lumber Room. Farnham & Burlington: Ashgate, 2012.

GOLDSCHMIDT, E. P. The Printed Book of the Renaissance. Cambridge: Cambridge UP, 1950.

GRAY, Basil. The English Print. London: A. and C. Black, 1937.

GRIFFITHS, Anthony. Prints for Books: Book Illustration in France, 1760-1800.

GRIFFITTS, Anthony and Robert A. GERARD. The Print in Stuart Britain 1603-1685. London: Published for the Trustees of the British Museum by the British Museum P, 1998.

GRIVEL, Marianne. Le Commerce de l’Estampe à Paris au XVIIe siècle. Genève: Librairie Broz, 1986.

HAMMELMANN, Hanns. Book Illustrators in Eighteenth-Century England. Ed. T[homas] S[herrer] R[oss] BOASE. Published for the Paul Mellon Centre for Studies in British Art (London). New Haven: Yale UP, 1975.

HARTHAN, John. The History of the Illustrated Book: The Western Tradition. 1981. London: Thames and Hudson, 1997.

HARVEY, John R. Victorian Novelists and Their Illustrators. London: Sidgwick and Jackson, 1971; New York: NYU Press, 1971.

HELLER, Steven. Illustration: A Visual History. New York & London: Abrams, 2008.

HIND, Arthur M. A History of Engraving and Etching, from the Fifteenth Century to the Year 1914. 1918. Boston: Houghton Mifflin Company, 1935. New York: Dover Reprint, 1970.

— . An Introduction to a History of Woodcut. With a Detailed Survey of Work Done in the Fifteenth Century. 2 vols. New York: Dover Publications, 1963.

— . Engraving in England in the Sixteenth and Seventeenth Centuries: A Descriptive Catalogue with Introductions. Cambridge: Cambridge UP, 1952-64.

HINDMAN, Sandra and James Douglas FARQUHAR. Pen to Press: Illustrated Manuscripts and Printed Books in the First Century of Printing. College Park: Art Department, U of Maryland, 1977.

HODNETT, Edward. Aesop in England: A Concordance of the Motifs in Seventeenth-Century Illustrations of Aesop’s Fables. Charlottesville: Published for the Bibliographical Society of the U of Virginia by the UP of Virginia, 1979.

— . English Woodcuts, 1480-1535. 1934. Oxford: OUP, 1973.

— . Five Centuries of English Book Illustration. Aldershot: Scolar P, 1988.

— . Francis Barlow, First Master of English Book Illustration. London: Scolar P, 1978.

— . Image and Text: Studies in the Illustration of English Literature. London: Scolar P, 1982.

HOFER, Philip. Baroque Book Illustration: A Short Survey from the Collection in the Department of Graphic Arts, Harvard College Library. 1951. Cambridge, MA: Harvard UP, 1970.

— . Eighteenth-Century Book Illustrations. Los Angeles: William Andrews Clark Memorial Library, U of California, 1956.

HOFER, Philip and Eleanor GARVEY. The Artist and the Book 1860-1960 in Western Europe and the United States. Boston: Museum of Fine Arts and Harvard College Library, 1961.

HOLME, Geoffrey, ed. British Book Illustration Yesterday and Today. With Comments by Malcom C. Salaman. London: The Offices of The Studio, 1923.

HÖLTGEN, Karl Josef and Peter M. DALY, eds. Word and Visual Imagination: Studies in the Interaction of English Literature and the Visual Arts. Erlangen: U of Nürnberg, 1988.

HOUFE, Simon. Fin de Siècle: The Illustrators of the ’Nineties. London: Barrie and Jenkins, 1992.

HUNNISETT, Basil. Engraved on Steel: The History of Picture Production Using Steel Plates. Cambridge: Cambridge UP, 1998.

— . Steel-engraved Book Illustration in England. London: Scolar P, 1980.

IVINS, W. M., Jr. How Prints Look. New York: The Metropolitan Museum of Art, 1943. Boston: Beacon P, 1958; 1964.

JAMES, Philip Brutton. English Book Illustration 1800-1900. London: Penguin, 1947.

JOHN RYLANDS LIBRARY. The John Rylands Library, Manchester: Descriptive Catalogue of an Exhibition of Printed Book Illustrations of the Fifteenth Century, Arranged in the Main Library. Manchester: Manchester UP, 1933.

JOHNSON, Alfred Forbes. A Catalogue of Engraved and Etched English Title-Pages Down to the Death of William Faithorne, 1691. [Oxford]: Printed for the Bibliographical Society at the Oxford UP, 1934 (for 1933).

KAENEL, Philippe. Le Métier d’illustrateur 1830-1880: Rodolphe Töpffer, J.-J. Grandville, Gustave Doré. Paris: Messene, 1996.

KATZ, Bill [William Armstrong], ed. A History of Book Illustration: 29 Points of View. The History of the Book, No. 1. Metuchen, NJ: Scarecrow P, 1994.

KINGMAN, Lee, ed. The Illustrator’s Notebook. Boston: The Horn Book, 1978.

KLEMIN, Diana. The Illustrated Book: Its Art and Craft. New York: Crown, [1970].

KOOISTRA, Lorraine Janzen. The Artist as Critic. Bitextuality in ‘Fin-de-Siècle’ Illustrated Books. Aldershot, Eng.: Scolar P, 1995.

Le Livre illustré en Occident, du Haut Moyen-Âge à nos jours. Catalogue. Bruxelles: Bibliothèque Royale Albert 1er, 1977.

LE MEN, Ségolène. Les Abécédaires français illustrés du dix-neuvième siècle. Paris: Promodis, 1984.

LEVARIE, Norma. The Art and History of Books. New York: James H. Heineman, 1968.

LEWIS, John. The Twentieth-Century Book. Its Illustration and Design. London: Herbert, 1984.

LINDLEY, Kenneth Arthur. The Woodblock Engravers. Newton Abbot: David and Charles, 1970.

LOUVEL, Liliane and Henri SCEPI, dirs. Texte / Image: nouveaux problèmes. Rennes: PU Rennes, 2005.

LUBORSKY, Ruth Samson and Elizabeth MORLEY INGRAM. A Guide to English Illustrated Books 1536-1603. 2 vols. Medieval and Renaissance Texts and Studies vol. 166. Tempe, AZ: Medieval and Renaissance Texts and Studies, 1998.

MARSHALL, Lee. Bookmaking: The Illustrated Guide to Design / Production / Editing. 1965. 2nd ed. New York: R. R. Bowker Company, 1979.

MAXWELL, Richard, ed. The Victorian Illustrated Book. Charlottesville & London: Virginia UP, 2002.

McLEAN, Ruari. Victorian Book Design and Colour Printing. 1963. Berkeley: U of California P, 1972.

MELOT, Michel. L’Illustration, histoire d’un art. Genève: Éditions d’Art Albert Skira S.A., 1984.

MICHEL, Christian. Charles-Nicolas Cochin et le livre illustré au XVIIIe siècle. Genève: Librairie Droz, 1987.

MILLER, J. Hillis. Illustration. London: Reaktion Books, 1992.

MÖLLER, Joachim, ed. Imagination on a Long Rein: English Literature Illustrated. Marburg: Jonas Verlag, 1994.

MONTIER, Jean-Pierre, dir. A l’oeil: des interférences textes/images en littérature. Rennes: PU Rennes, 2007.

MONTIER, Jean-Pierre, Liliane LOUVEL, Danièle MEAUX and Philippe ORTEL. Littérature et photographie. Rennes: PU Rennes, 2008.

MUIR, Percy H. Victorian Illustrated Books. London: B. T. Batsford, 1971.

MYERS, Robin and Michael HARRIS, eds. A Millenium of the Book: Production, Design and Illustration in Manuscript and Print 900-1900.St Paul’s Bibliographies. Winchester: Oak Knoll P, Delaware, 1994.

PARMEGIANI, Claude-Anne. Les Petits Français illustrées, 1860-1940: l’illustration pour enfant en France de 1860 à 1940, les modes de représentation, les grands illustrateurs, les formes éditoriales. Collection “Bibliothèques”. Paris: Cercle de la Librairie, 1989.

PATER, Walter. The Renaissance: Studies in Art and Poetry. Ed. Donald L. HILL. Berkeley: U of California P, 1980.

PEPPIN, Brigid. Fantasy: Book Illustration, 1860-1920. London: Studio Vista, 1975.

PLOWMAN, Richard. An Essay on the Illustration of Books. London, 1824.

POLLARD, Alfred W. Early Illustrated Books: A History of the Decoration and Illustration of Books in the 15th and 16th Centuries. London: Kegan Paul, Trench, Trübner and Co., 1893.

PONOT, René. Techniques graphiques. Paris: Ministère du Commerce et de l’Industrie, Direction de l’Artisanat, 1975.

RAY, Gordon N[orton]. The Illustrator and the Book in England from 1790 to 1914. New York, NY: The Pierpont Morgan Library; Oxford: Oxford UP, 1976.

RÉAU, Louis. La gravure d’illustration. Paris: G. Van Oest, 1928.

REID, Forrest. Illustrators of the Eighteen Sixties: An Illustrated Survey of 58 British Artists. London: Faber and Gwyer, 1928. New York: Dover, 1975.

ROGER-MARX, Claude. La Gravure originale au XIXe siècle. Paris: Aimery Somogy, 1962.

RORSCHACH and Ellen S. DUNLAP. Blake to Beardsley: The Artist as Illustrator. Rosenbach Museum and Library Exhibition Catalogue. 1988.

ROYLANCE, Dale. European Graphic Arts: The Art of the Book from Gutenberg to Picasso. Princeton, NJ: Princeton UP, 1986.

RUSKIN, John. Ariadne Florentina: Six Lectures on Wood and Metal Engraving; with Appendix. Given Before the University of Oxford in Michaelmas Term, 1872. New York: Wiley, 1886.

— . Praeterita: Outlines of Scenes and Thoughts Perhaps Worthy of Memory in my Past Life (1886). The Works of John Ruskin. Eds. E. T. COOK and Alexander WEDDERBURN. Vol. 35 (1908) 13.

SALAMAN, Malcom Charles. British Book Illustration Yesterday and To-Day. London: The Studio, 1923.

SCHAPIRO, Meyer. Words and Pictures. On the Literal and the Symbolic in the Illustration of a Text. Ed. Thomas A. Sebeok. Paris: Mouton, 1973.

SELBORNE, Joanna. British Wood-Engraved Book Illustration, 1904-1940: A Break With Tradition. London: The British Library & Oak Knoll Press, [1998] 2001.

SILLARS, Stuart. Visualisation in Popular Fiction, 1860-1960: Graphic Narratives, Fictional Images. London: Routledge, 1995.

SIMON, Howard. Five Hundred Years of Art in Illustration: From Albrecht Dürer to Rockwell Kent. 1942. 2nd ed. New York, NY: Hacker Art Books, 1978.

SKETCHLEY, Rose E. D. English Book Illustration of To-Day. London: Kegan Paul, 1903.

SLYTHE, R. Margaret. The Art of Illustration, 1750-1900. London: Library Association, 1970.

TANE, Benoît. Avec figures. Roman et illustration au XVIIIe siècle. Rennes : Presses Universitaires de Rennes, 2014.

TEDESCO, A. P. The Relationship Between Type and Illustration in Books and Book Jackets. Brooklyn, NY: G. McKibbin, [1948].

TURNER, D. H. English Book Illustration, 966-1846. [London]: Trustees of the British Museum, 1965.

WEITENKAMPF, Frank. The Illustrated Book. Cambridge: Harvard UP, 1938.

WEITZMANN, Kurt. Illustrations in Roll and Codex: A Study of the Origin and Method of Text Illustration. 1945. Princeton: Princeton UP, 1970.

 

ARTICLES AND ESSAYS

 

ARNAR, Anna. “Je suis pour… aucune illustration: le phénomène du rejet de l’illustration en France au XIXe siècle”. L’Illustration: Essais d’iconographie. Dirs. Maria Teresa CARACCIOLO and Ségolène LE MEN. Introduction aux actes du séminaire C.N.R.S. (G.D.R. 712), Paris 1993-1994. Paris: Klincksieck, 1999. 341-359.

AYMES, Sophie. “Illustration et intermédialité, entre gravure et photographie”. La Licorne, n°108. Autour du Tiers pictural: ‘Thanks to Liliane Louvel’. Dirs. Michel Briand and Anne-Cécile Guilbard. Rennes: Presses Universitaires de Rennes, 2014. 133-148.

BALSTON, Thomas. “English Book Illustration: 1880-1900”. New Paths in Book Collecting: Essays by Various Hands. Ed. John CARTER. London: Constable, 1934.

BASSY, Alain-Marie. “Iconographie et littérature. Essai de réflexion critique et méthodologique”. Revue française de l’histoire du livre 3. 5 (1973) 3-33.

— . “Du texte à l’illustration: pour une sémiologie des étapes”. Semiotica 11/4 (1974): 297-334.

— . “Typographie, topographie, ou topo-graphie: l’illustration scientifique et technique au XVIIIe siècle”. Actes du colloque Die Buchillustration in 18. Jahrundert, Düsseldorf, 1978. Heidelberg, 1980. 206-233.

BAUMGARTNER-DANCHAUD, Emmanuèle. “Le Livre illustré en Occident”. Le Grand Atlas des Littératures. Paris: Flammarion, 1996. 172-173.

BENTLEY, G. E., Jr. “Images of the Word: Separately Published English Bible Illustrations 1539-1830”. Studies in Bibliography: Papers of the Bibliographical Society of the University of Virginia 47 (1994): 103-28.

BLONDEL, Madeleine. “Les Illustrations du Voyage Sentimental de Laurence Sterne dans les livres du XVIIIe siècle”. Eighteenth-Century Fiction 14. 3-4 (Apr.-July 2002): 575-624.

BRAKE, Laurel. “The Politics of Illustration: Ruskin, Pater, and the Victorian Art Press”. Interfaces 15 (1999): 169-188.

BREITENBACH, Edgar. “The Bibliography of Illustrated Books: Notes with Two Examples from English Book Illustration of the 18th Century”. A History of Book Illustration: 29 Points of View. Ed. Bill KATZ. The History of the Book, No. 1. Metuchen, NJ: Scarecrow P, 1994. 297-314.

CACHIN, Marie-Françoise. “Introduction”. Interfaces 15 (1999): 3-5.

CARION, Jacques and Myriam WATTHEE-DELMOTTE. ‘De l’illustration littéraire au livre de dialogue: le cas du surrealism, l’exemple d’André Masson.’ In dir. Jean-Louis Tilleuil. Théories et lectures de la relation image-texte. Cortil-Wodon, E.M.E., 2005. 137-155.

DALY, Peter M. “Modern Advertising”. Word and Visual Imagination: Studies in the Interaction of English Literature and the Visual Arts. Eds. Karl Josef HÖLTGEN and Peter M. DALY. Erlangen: U of Nürnberg, 1988. 349-371.

Du MAURIER, George. ‘The Illustration of Books from the Serious Artist’s Point of View’. The Magazine of Art. London: Cassell and Company, 1890. 349-53.

FLETCHER, Robert P. “Visual Thinking and the Picture Story in The History of Henry Esmond”. PMLA 113.3 (May 1998): 380-394.

FRIANT-KESSLER, Brigitte. ‘Genre mineur, genre unique: illustration et représentation dans les gravures de Tristram Shandy’. Bulletin de la Société d’Études Anglo-Américaines des XVIIe et XVIIIe siècles 58 (2004) 183-198.

GARDINER, Juliet. “‘An Immense Continent’: The New Territories of Illustrated Books”. Interfaces 15 (1999): 41-60.

GOLDSMITH, Lucien. “Baroque Book Illustration”. Book Illustration. Ed. Frances J[oan]. BREWER. Papers presented at the Third Rare Book Conference of the American Library Association in 1962. Berlin: Gebr. Mann Verlag, 1963. 13-21.

GYSELINCK, Valérie. “Les Modèles mentaux dans la compréhension des textes: le rôle des illustrations”. Diss. Université Paris V, 1995.

HOFER, Philip. “The Early Illustrated Book: Highlights from a Lecture”. A History of Book Illustration: 29 Points of View. Ed. Bill KATZ. The History of the Book, No. 1. Metuchen, NJ: Scarecrow P, 1994. 269-287.

LE MEN, Ségolène. “Iconographie et illustration”. L’Illustration: Essais d’iconographie. Dirs. Maria Teresa CARACCIOLO and Ségolène LE MEN. Introduction aux Actes du séminaire C.N.R.S. (G.D.R. 712), Paris 1993-1994. Paris: Klincksieck, 1999. 9-17.

— . “Illustration”. Encyclopaedia Universalis. Paris, 1996. 11: 919-927.

— . “La question de l’illustration”. Histoires de la lecture. Un bilan de recherches. Dir. Roger Chartier. Paris: IMEC, La Maison des Sciences de l’Homme, 1995. 229-247.

— . “Le livre illustré (XVIe-XIXe s.)”. Le Grand Atlas des Littératures. Paris: Flammarion, 1996. 176-177.

— . “Quant au livre illustré”. Revue de l’Art 44 (1979): 84-111.

MALLARMÉ, Stéphane. “Sur le livre illustré”. Œuvres complètes. Eds. Henri MONDOR and G. JEAN-AUBRY. Paris: Gallimard, 1945.

MELOT, Michel. “Gravure”. Encyclopaedia Universalis. Paris, 1996. 10: 782-787.

MENGES, Jeff. A. Once Upon a Time…: A Treasury of Classic Fairy Tale Illustrations.

MITCHELL, Sally, ed. “Illustration”. Victorian Britain: An Encyclopedia. New York: Garland Publishing, 1988.

MOSER, Barry. “Illustrating the Classics”. Romance Languages Annual 7 (1995): 3-9.

PINAULT SORENSEN, Madeleine. “Les planches de l’Encyclopédie. Texte et image”. L’Illustration: Essais d’iconographie. Actes du séminaire du C.N.R.S. (G.D.R. 712), Paris 1993-1994. Paris: Klincksieck, 1999. 213-223.

RENONCIAT, Annie. “Outils et concepts pour l’analyse des illustrations”. G.R.A.L.E. Institut Charles V, Paris. 27 avril 2001.

RICHTER, Brigitte. “Bibliologie : Histoire et Technique du livre et de l’édition”.Université du Maine : Centre de Préparation aux carrières des bibliothèques, 1979.

SKILTON, David. “The Relation Between Illustration and Text in the Victorian Novel: A New Perspective”. Word and Visual Imagination: Studies in the Interaction of English Literature and the Visual Arts. Eds. Karl Josef HÖLTGEN and Peter M. DALY. Erlangen: U of Nürnberg, 1988. 303-325.

STEVENSON, Robert Louis. “Byways of Book Illustration”. The Magazine of Art. London: Cassel, 1882.

STOCKSTAD, Marilyn. “European Printmaking and Book Printing”. Art History. 1995. Revised edition. 2 vols. New York, NY: Harry N. Abrams, 1999.

TANE, Benoît. “Pour une approche des figures: entrer dans le roman illustré au XVIIIe siècle”. Interfaces 32 (2011): 33-48.

VOLSIK, Paul. “’I, in My Intricate Image, Stride on Two Levels… Laying my Ghost Metal’: Dylan Thomas and the Painter Ceri Richards”. Interfaces 15 (1999): 231-247.

WILLIAMS, Iolo. A. “English Book-Illustration, 1700-1775”. The Library 17. 1 (1936): 1-21.

WOLLESEN, Jens. T. ‘“‘Ut poesis pictura ?’ Problems of Images and Texts in the Early Trecento”. Petrarch’s Triumphs: Allegory and Spectacle. Eds. Konrad EISENBICHLER and Amilcare A. IANNUCCI. Toronto: Dovehouse, 1990.

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